Rachel dating game
Rachel dating game - Sex Chat
If you are the site owner, please open a ticket in our support page if you think it was caused by an error: https://support.If you are not the owner of the web site, you can contact us at cloudproxy@
Only Colin Farrell’s David, a recently divorced architect who is the latest singleton to face this metamorphosis, is named. The film is full of rules: masturbation is outlawed in the hotel, for example, but sexual stimulation via the maid is mandatory. It’s a world away from taking what comes to pay the rent.Weisz, who narrates the film, plays one of the so-called Loners, outsiders who have escaped this bizarre society and now live in the forest. “Those are the rules of the universe Yorgos created,” says Weisz. Or a ménage.” One newspaper in the UK asked: ‘Is the weirdest date movie ever? You can find a taxi in your area.” Oddly, that’s a rather good analogy. Whishaw’s Limping Man frequently bangs his nose to make it bleed to win the affections of a woman who regularly endures nosebleeds. “Now I have an incredible luxury where I can choose,” she says. Sometimes it’s obvious and sometimes it’s not obvious, the choice.” So far, she’s picking with aplomb.“But in this very rule-bound universe, I think Colin and my character try and transcend the rules ... ’ Other critics have said it’s a film for the post-Tinder generation. “All couples ask of the other to change and be someone other than they are,” says Weisz, warming to the topic. I found it very moving and quite romantic, I mean romantic with a capital ‘R’ – impossible love that you have to surmount possible rules and regulations, like “I don’t consider myself an expert on this, but I don’t essentially feel like it’s a new phenomenon,” Weisz says. Or they worry about being lonely, or they become a monk or a nun, and then they marry God or Jesus ... Understandably – given she has been married to 007 star Daniel Craig for almost five years – Weisz wasn’t aware of Tinder, the dating app that allows users to scroll through suitable candidates and hook up with them. “Love is maybe trying to accept the other person’s limitations and hope they accept yours ... that’s what it made me think about.” Another theme is narcissism. “Love is the opposite in this movie: it’s learning to understand the utter difference in the other, told in a completely absurdist way.” It all brings us back to this idea that is not easy to crack open. It just speaks of your own attitudes to love, compromise, romance, dating – whatever they are, it speaks to you personally. I’m out of the dating game, so I don’t even know what Tinder is. Whatever you’re going through in your life will probably reflect on that.” If the film signifies anything, as far as Weisz is concerned, it’s how daring her choices are becoming as an actress.
Born in London’s Westminster, the daughter of a Hungarian inventor and Austrian psychotherapist, she started performing while reading English at Cambridge University.
After graduating, she immediately won roles on British television – beginning with the 1992 mini-series ).
The Oscar winner’s latest film – a mystery set in a dystopian future – is hard to crack open, but if it signifies anything, as far as Weisz is concerned, it’s how daring her choices as an actress are becoming , Rachel Weisz is struggling to put it into words.
“I’m so inside it, I don’t know how to interpret it,” she says. ” The British-born Weisz, 46, seems content with letting others analyse , a mysterious, Kafka-like fable set in a near-future dystopian world where single people are taken to a grim-looking hotel and given 45 days to find a mate. Just cameras, actors, costume designers, set designers … It’s their point of view.” It was Weisz who sought out Lanthimos after seeing his 2009 international breakthrough film, , which was nominated for an Oscar.
Her director, the Greek-born Yorgos Lanthimos, who co-wrote the story with his regular writer Efthymis Filippou, clearly didn’t offer her many clues during the shoot. If they don’t, they get turned into an animal of their choosing and released into the wild. it was just completely unique and bizarre,” says Weisz. “I asked to meet him and I said, ‘I really want to work with you’,” she says.
“The most intellectual conversations I’ve ever had are with you,” she cries. “Yorgos created a universe which has totally different rules to the rules that we live in.” Characters are nearly all labelled rather than named. Reilly play two of the single hopefuls – dubbed Limping Man and Lisping Man respectively. It came after Weisz had enjoyed a period away from film – partly to spend time with her family (she has a nine-year-old son, Henry, from her time with Aronofsky), partly to perform in Harold Pinter’s , a new drama about a lighthousekeeper with Michael Fassbender.